Silicon 2008D700, photo, October 2008, Silicon, Doubletree Hotel, San Jose, CA, USA, Sci-Fi, Convention, Sci-Fi ConventionJulia WolfJulia Wolfimage/jpeg2008
As some of you may be aware, I put off white balance adjustment until I do post-processing — quite some time later. It is then, that I get to play the, "Which color was this originally?"-game. Sometimes I actually remember what the color of the light in the room was, but when I tweek the balance for that, the results look terrible. So in those situations I just tweek the knobs until things look good. There are technical reasons for all of this, mostly with my camera expecting a black-body radiation curve, and getting monochromatic light instead. So, I get an overexposed red channel, and a way-way underexposed blue channel, or vice versa. (Neither of which is actually the original colors. And there are ways to work around this while shooting, but I haven't been doing it because it's labor intensive. (More precisely, I'd have to manually adjust camera settings, every time I change position. I've programmed my camera to do most of what I do automatically now, but this situations is a bit beyond my poor camera's ken.))
Just curious... have you ever tried an expodisc? It's a slightly less annoying extra step, but yah, extra step. I keep forgetting to use mine, but when I do, it's done decently.
When someone mentioned expodisc, it reminded me of a client start-up I've worked with who produces the same type of things, but which are cheaper (and apparently better technically). FYI!
They really do draw one into the subject matter, don't they?
I mean, sometimes I end up slogging through after-con photos (usually Yet Another Four-Hojillion Fursuit Photos) and there's nothing to make any of them really sing. It's a rare individual who can take a photo of a subject not even trying to pose or anything and then get interesting results. Combine awesome photographer with especially awesome subject, and it's pure magic!
I bow down to far superior shooting and post processing skills.
You *know* the best time/way to get the best shot. Then you can make that already great composition POP and grab the lapels of your attention and say "LOOK AT ME!"
Must sit down with you sometime and discuss basic photo stuff with you.
no subject
Date: 2008-10-31 08:51 am (UTC)no subject
Date: 2008-10-31 08:58 am (UTC)Yes, just once, it was yours.
(It also works well for figuring out what vignette correction is necessary.)
other fun photo photography toys
Date: 2008-10-31 03:51 pm (UTC)phoxle.com
Re: other fun photo photography toys
Date: 2008-10-31 03:52 pm (UTC)Re: other fun photo photography toys
Date: 2008-11-02 09:08 pm (UTC)no subject
Date: 2008-10-31 03:32 pm (UTC)no subject
Date: 2008-10-31 04:52 pm (UTC)I mean, sometimes I end up slogging through after-con photos (usually Yet Another Four-Hojillion Fursuit Photos) and there's nothing to make any of them really sing. It's a rare individual who can take a photo of a subject not even trying to pose or anything and then get interesting results. Combine awesome photographer with especially awesome subject, and it's pure magic!
no subject
Date: 2008-11-05 02:13 am (UTC)I bow down to far superior shooting and post processing skills.
You *know* the best time/way to get the best shot.
Then you can make that already great composition POP and grab the lapels of your attention and say "LOOK AT ME!"
Must sit down with you sometime and discuss basic photo stuff with you.